I finally read Herta Müller’s Nobel lecture lecture about writing in a dictatorship and it’s fucking incredible.

In stark contrast to that other Nobel winner’s speech.

Twenty years later I had been on my own in the city a long time and was working as a translator in a manufacturing plant. I would get up at five a.m.; work began at six-thirty. Every morning the loudspeaker blared the national anthem into the factory yard; at lunch it was the workers’ choruses. But the workers simply sat over their meals with empty tinplate eyes and hands smeared with oil. Their food was wrapped in newspaper. Before they ate their bit of fatback, they first scraped the newsprint off the rind. Two years went by in the same routine, each day like the next.

In the third year the routine came to an end. Three times in one week a visitor showed up at my office early in the morning: an enormous, thick-boned man with sparkling blue eyes—a colossus from the Securitate.

The first time he stood there, cursed me, and left.

The second time he took off his windbreaker, hung it on the key to the cabinet, and sat down. That morning I had brought some tulips from home and arranged them in a vase. The man looked at me and praised me for being such a keen judge of character. His voice was slippery. I felt uneasy. I contested his praise and assured him that I understood tulips, but not people. Then he said maliciously that he knew me better than I knew tulips. After that he draped his windbreaker over his arm and left.

The third time he sat down but I stayed standing, because he had set his briefcase on my chair. I didn’t dare move it to the floor. He called me stupid, said I was a shirker and a slut, as corrupted as a stray bitch. He shoved the tulips close to the edge of the desk, then put an empty sheet of paper and a pen in the middle of the desktop. He yelled at me: Write. Without sitting down, I wrote what he dictated—my name, date of birth and address. Next, that I would tell no one, no matter how close a friend or relative, that I… and then came the terrible word: colaborez—I am collaborating. At that point I stopped writing. I put down the pen and went to the window and looked out onto the dusty street, unpaved and full of potholes, and at all the humpbacked houses. On top of everything else this street was called Strada Gloriei—Glory Street. On Glory Street a cat was sitting in a bare mulberry tree. It was the factory cat with the torn ear. And above the cat the early morning sun was shining like a yellow drum. I said: N-am caracterul—I don’t have the character for this. I said it to the street outside. The word CHARACTER made the Securitate man hysterical. He tore up the sheet of paper and threw the pieces on the floor. Then he probably realized he would have to show his boss that he had tried to recruit me, because he bent over, picked up the scraps and tossed them into his briefcase. After that he gave a deep sigh and, defeated, hurled the vase with the tulips against the wall. As it shattered it made a grinding sound, as though the air had teeth. With his briefcase under his arm he said quietly: You’ll be sorry, we’ll drown you in the river. I said as if to myself: If I sign that, I won’t be able to live with myself anymore, and I’ll have to do it on my own. So it’s better if you do it. By then the office door was already open and he was gone. And outside on the Strada Gloriei the factory cat had jumped from the tree onto the roof of the building. One branch was bouncing like a trampoline.

The rest.

Update: Walter Russell Mead on Obama’s Nobel speech:

Barack Obama’s acceptance speech for the Nobel Peace Prize was a carefully reasoned defense of a foreign policy that differs very little from George Bush’s. He is winding down one war, escalating a second, and stepping up the pressure on Iran. He is asserting America’s sovereign right to unilateral action in self defense while expressing the hope that this right will not need to be exercised.

If Bush had said these things the world would be filled with violent denunciations. When Obama says them, people purr.

The rest.