John Dillinger

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John Dillinger died for you

Friday, August 13th, 2010

Somehow I came across this excerpt from a lecture Robert Anton Wilson gave called Religion for the Hell of It and had no choice but to share it.

The John Dillinger Died For You Society, run by a pseudonymous “Dr. Horace Naismith” (allegedly a Playboy editor by day and a maniac only by night), accepts as its savior John Dillinger, the gunman who robbed 23 banks and three police stations before he was shot dead by FBI agents in 1934. JDDFYS members place memorial wreaths and floral bouquets at the Biograph Theater, where Dillinger was gunned down, every year on the anniversary of his death, June 22. Their major spiritual teaching comes from Mr. Dillinger, whom they call St. John the Martyr, and consists of the words, “Lie down on the floor and keep calm,” (St. John said this often to nervous and agitated bank officials before looting their tills). Every member ordained by Dr. Naismith gets a membership card making him or her an Assistant Treasurer, entitled to collect tithes from any new disciple naive enough to remain a disciple and not become an Assistant Treasurer, too, by writing to Dr. Naismith for a card.

There’s more information on Dr. Naismith and the John Dillinger Died For You Society here, including a scan of their membership card, and a John Dillinger credit card which should prove useful in these trying economic times.

I was about to gripe about how much trouble it would be to fit the barrel of Dillinger’s preferred sidearm, a Colt 1911, through the hole in the credit card, by the way, but then I remembered this.

Anyway, much to my daughter’s continuing dismay, I don’t have a whole hell of a lot of interest in religion. I mean, I try now and then, but most of it leaves me cold, so I’m hardly what one might consider a theologian.

But if there’s a better spiritual teaching than, “Lie down on the floor and keep calm,” I’ve never heard it.

John Dillinger’s 1911

Tuesday, March 30th, 2010

The Firearm Blog recently posted a great piece on an experimental fully automatic 1911 developed by Colt in the 1930′s. But even better, at least to my taste, was a snapshot of John Dillinger’s 1911, chambered in .38 Super, that he’d converted to fully automatic himself.

I’ve made no bones about being a John Dillinger fan. (And Johnny Depp can go to hell for that one.) In fact, about sixty percent of the reason I’m currently building up a Springfield GI 1911 as my carry gun is because it was the preferred handgun for Dillinger, Pretty Boy Floyd, and the like. I’ll cop to being a little more whimsical than is entirely seemly when it comes to guns.

By the way, if the combination of this monster pistol and John Dillinger’s other, ahem, endowments, don’t put a rest to the whole canard about men trying to make up for inadequate penis size with huge handguns, I don’t know what will.

‘Til it breaks

Friday, January 15th, 2010

Just stumbled across a fantastic Denver anarchist crime blotter by the name of ‘Til it Breaks.

Anyone else notice that there seem to be a hell of a lot of successful bank robberies in the area of late? Any chance we’ve entered a new age of social banditry?

I can dream.

I finally saw Public Enemies, by the way. It was pretty much as I feared. There wasn’t even a pretense of historical accuracy, Johnny Depp was hopelessly miscast, and, worst of all, there was no mention of Dillinger’s, shall we say, most impressive endowment. That said, it was a Michael Mann flick, and he’s pretty competent hand when it comes to crime dramas, so it was fun to watch most of the time.

And Marion Cotillard absolutely nailed Billie Frechette. At least as I always pictured her in my schoolboy’s imagination.

Vicious mankiller

Tuesday, July 28th, 2009


John Dillinger’s giant penis

Monday, July 27th, 2009

I still haven’t seen the movie, but I’ve been wondering if it addresses the rumors about John Dillinger caused by this morgue photo.

dillinger_schlong

Naysayers claim it’s his elbow. I say bullshit.

Spitting great sheets of flame

Saturday, July 11th, 2009

Not exactly a surprise, but Public Enemies isn’t one of the most historically accurate movies ever made. From Massad Ayoob.

That said, the historical accuracies disappoint.  The film opens with Melvin Purvis chasing Pretty Boy Floyd through an apple orchard. Floyd shoots at him (one-handed at one point!) with a Thompson submachine gun, and Purvis then single-handedly kills him with one shot from a European bolt-action hunting rifle (admittedly correct for the period.) However, history shows that this happened many weeks after Dillinger was killed; Floyd was armed with a pair of Colt pistols, one of which was converted to full auto; it was a cornfield, not an orchard; and while Purvis did indeed empty his snub-nose .38 Colt Detective Special at the fleeing Pretty Boy, it is believed to have been a rifle in the hands of one of the many other lawmen firing at the fugitive that ended Floyd’s life.

On the bright side, however, it looks like Johnny Depp’s one of the good guys when it comes to guns. From Yahoo News, via The Firearm Blog.

He’s smoooooth

Friday, July 3rd, 2009

From PUNKADIDDLE, via The Valve.

We see an awful lot of this face in the movie. The movie, frankly, is a study of this face. Now, Depp is an extremely talented actor; and what I am saying is motivated neither by snippiness nor mere envy. But Depp is too good-looking for this role. The reasoning behind the casting presumably was something like ‘Dillinger had charisma, he was like a rock-star, a rock star who robbed banks! We need a big name star who oozes eleven types of charisma …!’ But Dillinger’s was a rough-hewn, wild-frontier-throwback sort of charisma. He was, it is true, renowned for being graceful but in a rough, tough, streetfighter sort of way. Dillinger was an alley cat. Johnny Depp, on the other hand, is Johnny Fucking Depp. It underplays his beauty to say ‘he looks like a male model’, given that most male models would sacrifice a limb to look like him. But a male model, and a fancy-pants clothes horse, is what he is in this film, all the time, in every scene, all the way through. He’s more than smooth. He’s smoooooth. In Heat we saw the world through the perspective of the De Niro and Pacino characters; in Public Enemies we spend the whole time seeing Johnny Depp. The film needed a lead who looked like this:

john_dillinger
And less like:

johnny-depp-mad-hatter